#he’s hate playing ace attorney

[jasperscringepit]

Guess who’s been listening to Sherlock & Co.

John bought Sherlock a copy of Ace Attorney because he thought it would be funny, and it has been the single most frustrating thing in Sherlock’s life since. He’s far too stubborn to stop playing, but the (lovingly) idiotic logic might be the end of him.

This is such a silly and quick comic, but it came to me in a vision. I love ace attorney, and I’ve really enjoyed Sherlock & Co so far but I do not think they would mix At All.

[bred-is-a-dumb-name]

Anyone remember that drawing challenge from a while ago where you would draw your otp or OCs as the go for it nakamura cover??? Yea well I like the second Manga covers pose a lot more so I did that...also it's klapollo <3

[anotherfandomtrash]

I needed to get this out of my system

[rowanisawriter]

im miles edgeworth the star prosecutor and i Travel on airplane with a full chess set and a massive book of Law with my frilly bookmark for a spot of Light Reading

[oodlyenough]

edgeworth don't drag other people into your weird foreplay with nick

[caq1e]

i've been trying to rationalize why clay terran's death hits me more than pretty much any other victim, even though the exact intricacies of his character are not the most plot relevant, and i think i finally got it. some of it's that he's the series' first new science freak in a while, yeah, but i think above that it's the emphasis on his ambition.

ace attorney does not like to kill real characters. it doesn't. referring to the main series for the rest of this post, we very rarely get to see a character for one section of one case before they die, with a few notable exceptions. as a result, because we don't get to know the characters very well, we as players are left to pick up the remnants based on the reactions of those still alive. ace attorney creates tragedy and emotional impact through the emotions of those who knew the victims. the victims' personas, therefore, are shaped by others' experiences with them: were they nice or mean, compassionate or abusive, nurturing or strict? while their relationships to others are crucial to their selves, they aren't everything about them.

clay is an astronaut. and unlike pretty much every victim in this series, that's not just his job, it's his life's purpose. the majority of clay's character is shaped through apollo's perception of him, sure, but what's also emphasized is his dream of being an astronaut. he wanted to be an astronaut since he was a child. he went to cosmos, became acquaintances and friends with the employees, surrounded himself with space. and he got the job. i know ace attorney ages can be taken with a grain of salt, but he was going to go into space at twenty-three, where the youngest astronaut in real life was twenty-five. any sizable gap in age below the norm tends to get lawyers deemed prodigies, excluding most themis students, so clay could probably be considered one as well. he was brilliant and remarkably hardworking and dedicated his entire life to reaching this goal, and he... didn't. he died with his dream ten steps in front of him.

when a character is an exception in one way, they tend to be in many, and they also tend to be defense attorneys, for some reason. the two victims with the most ambition at time of death, from my perspective, also have the most pre-death screen time: mia fey and dhurke sahdmadhi. their ambition may be on different scales, but they both died with tasks unfinished. mia had yet to reveal the corruption of redd white and the truth to dl-6, and dhurke had yet to restore stability to his country's legal system. they were both incredibly committed to fulfilling these goals and died while actively pursuing them.

the contrast between these two and clay is the individualism factor. dhurke wanted to see his revolution through, but he wanted a better future regardless of whether he was its leader or not. mia's connection was due to her familial involvement, but she also just wanted to uncover the truth behind redd white's obscurations and reduce corruption in the legal system. these goals are personal, but they aren't limited to them. they are goals that these two aspire to achieve, but they themselves don't need to be the ones to achieve them; in fact, they aren't. phoenix apprehends white, exposes manfred von karma, and discovers misty fey's disappearance for mia, while nahyuta and apollo work to reform khura'in's courts for dhurke. clay wanted to go to space. while a less noble goal than those i'm comparing him to, it's also more intrinsic to himself. he was supposed to be the one in space. there's no one to take over his dream because it's his alone. when he dies, that's it. it'll never be done. while his compassion definitely implies that he would be proud as long as sol starbuck touched the stars again, that isn't his dream. it's not the same as him doing it himself.

another similarity between mia and dhurke is that they are also the victims with the most post-death screen time. mia is channeled constantly through the first trilogy, to the point where she's almost as constant as any living character. dhurke lives for days, concealing his death while being channeled and not revealing the secret until almost the end of 6-5. as a result, these two get front row seats to their goals being fulfilled by their successors. mia's there to help phoenix take down white in 1-2, is certainly made aware of the results in 1-4, and even reunites with diego and re-defeats dahlia in 3-5. dhurke assists apollo leading up to the final court case, and his presence sticks with apollo as he develops his defense office.

clay does not get post-death screen time. he's only mentioned, like any other victim, after his death, and the large bulk of it is regarding the minutes before he's killed. not only is his dream unable to be fulfilled, but he wouldn't get the chance to see anything come of it, if that was even possible. he's not aura, staring out of a prison cell as part of her life's work flies off without her input. he's dead. no seeing the future, no willing on a successor to continue for him, no closure. dead and gone.

i'm not going to go crazy in depth right now, but, considering all major victims, the final truth of clay's death is done pretty poorly. as the successor to investigations, a duology that deals with international affairs in incredible detail, dual destinies is notably lacking. the organization behind the phantom isn't explored in the slightest; what was the point in making them a part of something bigger in the first place? there's no inciting event, no motive, not even a name, and from my point of view it just makes dual destinies feel unfinished, like there were plans that couldn't be made reality. there aren't any hints towards what the organization is doing, no legs to theorize on besides real life events, and it's not portrayed in a way that leaves it as a clever mystery. some international organization wants to sabotage the rocket launches for an unknown reason, so people die. that's all. clay dies due to reasons completely unknown to players, which is just so unsatisfying. not only does he not get closure, but we don't either. it makes me desperate for any new information to justify his death, to make his murder mean something, just like others who are integral to plot. this isn't entirely the point i was trying to make, but i think it's significant enough to mention. or maybe i just wanted to talk about it. not too sure.

clay terran suffers the awful fate of too much ambition and too little closure. this alone made his death have the greatest lasting impact on me. i'm not sure how it is for others, but the sadness of those left behind didn't usually trigger a large emotional reaction in me. however, the way clay's extraordinary dedication, implied intelligence, and nigh inevitable success were ripped from him right at the very end, with no possibility of a successor due to his own personal stake in the goal, made his death hit me through the heart like no other ace attorney victim. and also, just a little bit, because he's a new science freak.

[turnaboutstar]

phoenix literally had to change the legal system to do all of this as he should but kristophs reaction is so ajjsjsjskjsns

[fraeuleintaka]

Miles, you are evil.

[puff-the-bunny]

It didn't take long for @yapixxva to be struck with inspiration after I passed this to him, so I return with a remarkably more audible version of this post, for all my Pressureheads

[shitpostingkats]

This! Is! A! Good! Trio!

[inspector-montoya-fox]

i know what you are

[trlvsn]

kristoph gavin didn't get away with his crimes for seven years because he's smart btw, he got away with it because no one really gave a fuck in the dark age of law. when you think about it kristoph did a worse job than most of the ace attorney culprits

[trubbishrubbish]

I must break my silence to say that I am playing AAI2 and while I would love to liveblog it...I can't.

So I will just say that I have beaten the second case and I love it. The game so far is really good.

And this boy.

Is so me coded it's insane.

[doyoueverjustwomen]

this is like his singular redeemable quality

[iveneverbeenmorestressedinmylife]

Screaming crying throwing up.

[thefandomcassandra]

nothing quite like realizing "oh my vocabulary is irreparably damaged" quite like playing Spirit of Justice and calling Gaspen Payne "girl" the second he says some bullshit.

"girl" isn't a gendered term when said in exasperation, it's just a word. full italics.